
Bartolomé Esteban MURILLO, 1655
Sacristía Mayor

Ramón BAYEU, 1670
Capilla de Scala

ANÓNIMO, Siglo XIV
Antecoro

ANÓNIMO, Siglo XIV
Capilla de la Antigua

,

Bartolomé Esteban MURILLO, 1668
Sala Capitular

Bartolomé Esteban MURILLO, 1668
Sala Capitular

Bartolomé Esteban MURILLO, 1668
Sala Capitular

Bartolomé Esteban MURILLO, 1668
Sala Capitular

Bartolomé Esteban MURILLO, 1668
Sala Capitular

Bartolomé Esteban MURILLO, 1668
Sala Capitular

Bartolomé Esteban MURILLO, 1668
Sala Capitular

, 1668

Bartolomé Esteban MURILLO, 1667
Sala Capitular

,

Juan de ROELAS, 1609
Capilla de Santiago

Seguidor de Francesco de MURA, Siglo XVIII
Oratorio del Señor Arzobispo

Bartolomé Esteban MURILLO, 1665 -1666
Capilla del Ángel de la Guarda

Bartolomé Esteban MURILLO, 1674
Capilla de Santiago

Juan NÚÑEZ, En torno a 1480
Sacristía de los Cálices

Frans FRANCKEN II, Hacia 1630
Capilla de San Hermenegildo

Jacob JORDAENS, 1669
Capilla de San Antonio

Jacob JORDAENS, 1669
Capilla de San Antonio

Francisco de ZURBARÁN, 1635 – 1645
Sala del Pabellón

Juan de VALDÉS LEAL, 1657 – 1658
Sala del Pabellón

Abraham VAN DIEPENBEEK, Siglo XVII
Sala del Pabellón

Juan de VALDÉS LEAL, En torno a 1656
Sala del Pabellón

Marcello COFFERMANS, siglo XVI
Sala Hipóstila o Sala de las Columnas

Francisco de ZURBARÁN, 1645 – 1650
Sala del Pabellón

Luis TRISTÁN, 1624
Capilla de Santiago

Alonso CANO, 1635-1637
Capilla de Belén

Hernando de ESTURNIDO, 1553 – 1556
Capilla de los Evangelistas

Hernando de ESTURMIO, 1553 – 1555
Capilla de los Evangelistas

Hernando de ESTURMIO, 1553 – 1556
Capilla de los Evangelistas

Pedro de CAMPAÑA, 1547
Sacristía Mayor

Artemisa GENTILLESHI, 1620
En restauración

Francisco PACHECO, 1620
Sala del Pabellón





































Painting
The Cathedral of Seville boasts one of the richest collections of artistic treasures preserved within ecclesiastical environments, earning it recognition as one of the finest art galleries in Spain. With an updated inventory that includes eight hundred and thirty-three entries, the majority of these paintings are of the highest quality.
This treasure, which we now make known in small part, has been formed over the centuries as a result of the desire of the Chapter itself to enrich its Cathedral and the eagerness of many of its canons who commissioned paintings to decorate altarpieces and chapels. Likewise, the main Sevillian families who chose the Cathedral as the site for their burials, adorned their chapels with pictorial compositions, in addition to those who, in their wills, left part of their collections to be placed in its dependencies. Thus, from the 15th to the 19th century, the history of painting is profusely represented in the Sevillian Cathedral.
Worthy of mention are the marvelous grilles of the different chapels and altars that, with their solemn bars, have contributed decisively to the fact that today we can contemplate the works placed there as if they had just been made, in addition to being the distance from the exterior of the same, at which the author would suppose that his work would be admired. This was vital to ensure the proper conservation of the paintings that were not within direct reach of the viewer. Let us now visualize a small part of this rich pictorial legacy with which this fantastic monument delights us.